Damian Lewis
Actor, Musician, Dad, Redhead and Ping-Pong Champion
– strolling player and fun-time troubadour –
Front Page News
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 The Intersection of Philanthropy, Politics, Finance and Family, and How They Can Poison and Enrich Each Other at the Same Time by Brian Tallerico | Roger Ebert.com | March 22, 2018 There’s a flow to “Billions†that’s not quite like…
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How Realistic is Billions? – March 22, 2018
For the Love of Trading by Tom Teodorczuk | Market Watch | March 21, 2018 We asked Anthony Scaramucci and other financiers: How realistic is Showtime’s hedge-fund drama ‘Billions’? Is the hit show on the money when it comes to Wall…
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Damian Reads Bedtime Stories – March 21, 2018
CBeebies Broadcast Announcement by Gingersnap | damian-lewis.com | March 21, 2018 Damian will be on your telly Thursday, March 29, at least for the lucky fans in the UK. He will be reading Peace at Last by Jill Murphy at…
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Sneak Peek: Billions S3E2 Promotional Photos – March 21, 2018
Billions Episode 3.02 “The Wrong Maria Gonzalez” Promotional Photos by Gingersnap | damian-lewis.com | March 21, 2018 This just in! Take a sneak peak at some newly released promotional stills from Billions season three, episode two “The Wrong Maria Gonzalez.”…
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Sneak Peek: Billions S3E3 Promotional Photos – March 21, 2018
Billions Episode 3.03 “A Generation Too Late” Promotional Photos by Gingersnap | damian-lewis.com | March 21, 2018 This just in! Take a sneak peak at some newly released promotional stills from Billions season three, episode three “A Generation Too Late.”…
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Billions Season 3 Axe Capital Office – March 21, 2018
3-D Model and Rendering of Axe Capital by Gingersnap | damian-lewis.com | March 21, 2018 A guide to help you familiarize yourself with the architectural visualization of Axel Capital set design in Billions, Season 3.
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How Billions Production Designer Created World of Insanely Rich – March 21, 2018
Behind the Scenes of Season 1 and 2 Set Design by Hugh Hart | March 21, 2018 | MPAA.org Three years ago production designer Mike Shaw needed a change of pace from the lowdown penitentiary aesthetic he created for Orange…